Thankful Thursday XIX – Timmies

This Thankful Thursday I’m thankful for one of my fonder memories of Canada – Tim Horton’s. Only a few Americans know what that is, and fewer people still from other countries. But to Canadians… they’re a way of life and as much a cultural keystone as maple leafs and geese.

Tim Horton’s, or simply “Timmies” to many Canucks, is a chain of coffee shops. Diners perhaps would be a better word since they offer an array of foods as well. But they are a great deal more than that up north; not only do they define the national obsession with coffee and the “down to earth” mentality, in many communities they have become the de facto “town square” – the meeting place, the place to hang out when you don’t want to be by yourself. Quite an achievement for something begun in the ’60s by a second-string hockey star as a single little coffee shop in the factory city of Hamilton.

Today there are over 4000 of them, the vast majority of them in Canada, although Americans close to the border – those in Western New York, Washington State and the like – have some of their own, perhaps as much for the Canadians driving south as the locals. Although they started out as simple purveyors of cheap coffee and a range of donuts (another Canadian obsession, and something Tim’s does very well) they have through the years expanded the menu to have a number of lunch options from sandwiches to soups and chili, and even brought in cold soft drinks for those who for some difficult-to-understand reason don’t always want a hot coffee! As such they’ve become a viable competitor to the various sub and burger places in the fast food market.

Through the years, I consumed many a cup of that java. Many a thousand cups, actually. When I was going somewhere in winter, there’d always be a Tim Horton’s along the way to stop and get a coffee at and quite probably, get rid of the last coffee, if you catch my meaning. Many a work lunch break was spent sitting in one, a cup of coffee and a bagel with cheese (their poppy seed bagels are pretty extraordinary too) as I read the newspaper and forgot about the job for half an hour. I’ve taken dates to Tim’s, sat and chatted with my dad for many an afternoon, packed my laptop and sat in one late at night when the wi-fi at home gave out. I might add that I wasn’t convinced they offered the best coffee of any chain in Canada; but they were the one that was always there for me. And the 33 million others in that land.

And therein was the appeal. Tim’s are a unifier there, a totally democratic sort of institution. The prices were reasonable, the décor comfortable but very basic. It’s the place the grubby street people go and sit in when they’ve panhandled up enough for a drink and a donut just as much as they’re the place the office execs from the shiny city towers stop at to get their cruller and double-double at on their way to work. If Ryan Gosling or Bryan Adams are back in their hometown, chances are if you wait long enough, they’ll be at Tim’s. The local cops are likely to be there between calls, just as are the teens coming home from school, the socialites heading out for a night on the town and the retirees who don’t have a lot to do during the afternoon hours. So they find the Tim’s and each other and then have something to do in the afternoon. So engrained into the culture are they that they’ve even added to the lexicon. “Timbits” anybody? “Roll up the Rim?” The Canadian in the crowd will know.

That sort of thing doesn’t really exist in the States, or at least not in my part of them. Coffee isn’t king down here (mind you, I guess it takes a special breed of crazy to be like me and want hot coffee day in, day out, in a place where half the year days top 90 degrees) and of course, there is a Dunkin’ here and there if you search them out, and a few Starbucks but it’s not quite the same. Dunkins seem a place to get in and get of quickly; Starbucks are pricy and have a sort of elitist air to them. They’re all places where you can get a hot drink, but not a place to go.

While there isn’t a Tim’s shop for about a thousand miles from here, at least we can get the coffee in imported bags at the supermarket. So sipping one in my own room isn’t like being in a busy restaurant watching the world go by, it is pretty good “jo”. And a nice reminder of where I came from.

Thankful Thursday XVIII – Bob Ross

If “zen” was a movie, he’d probably be on the poster for it. Perhaps then, between insurrections, contested elections, deadly pandemics and weekly mass shootings, there’s good reason he’s more popular than ever. Indeed, last year at the height of the pandemic, reruns of his show were the top-rated shows on the BBC in Britain. This Thankful Thursday, I’m thankful for Bob Ross.

Ross might just be the most famous American painter. And the most critically panned one as well. But the dude with the big afro is a lot more than that. He’s a source of quiet relaxation for many and inspiration for millions more.

Ross, for the few uninitiated, was a painter from Florida who rose to fame in the 1980s with a half-hour TV show on PBS. In the 11-year run of The Joy of Painting (sometimes renamed things like “Bob Ross Painting” in re-runs) he became something of a cult figure, a stature only heightened since his unfortunate death from cancer in 1995. These days one can find Bob Ross bobbleheads, Bob Ross coffee mugs, Bob Ross calendars, Bob Ross coloring books, books of Bob Ross sayings…there’s even a Bob Ross chia pet for those who want their very own ugly clay Ross-head with a green afro!

The magic of Bob was two-fold. One was that he did a surprisingly good painting, generally landscapes, from start to finish in each half-hour show. Two, and perhaps more importantly, he did it while chatting away in a friendly and low-key way that defined “laid back”. Compared to Ross, the crowd at a Jimmy Buffett show would seem wound-up and out of control. Ross loved wildlife and from time to time would interrupt his show to bring in a little squirrel he’d rescued from a busted tree or film of some animal he’d seen outside. He painted serene settings, more often than not containing some mountains, a little lake and some trees… needed a place for the happy little squirrels to live, after all. Viewers began to love – and perhaps make drinking games out of – his regular little quotes like “happy little trees” and “we don’t make mistakes, just have happy little accidents.”

Surprisingly for such an incredibly laid-back guy, Bob was largely shaped by the Air Force. He signed up young and rose to the ranks of seargent. For several years he was assigned to a base in Alaska. He loved the scenery there and decided to try and capture that and share it for others. But he hated the job, per se. He had to be “the guy who makes you scrub the latrines, the guy who screams at you for being late.” He decided once done with the military he wasn’t going to be “that” guy again.

Ross had a real flair for painting, and a well-trained artist’s eye for lighting. He also had a gift for teaching simple techniques to the masses…and for irritating critics. He took some art courses and found instructors were big into minimalism and abstract – not his brand of folksy realism. “If I paint something, I don’t want to have to explain what it is,” he said. Over the years, he painted an estimated 30 000 canvases. What they lacked in diversity (there were an awful lot of paintings of mountain lakes, forest trails, cabins in the woods and the like) he made up for in charm, and broad appeal.

The magic of Bob Ross though, was that he showed us it was OK to do something we enjoy, even if we aren’t very good at it. It’s OK to have pictures on the wall that you like and tell a story no matter what art critics might think of them. You could be a surgeon or air traffic controller, but when you got home, you could “chillax” and do something where your screw up was soon rectified and turned into a “happy little accident.” I can guess that thousands upon thousands of people have taken up painting, or other arts because of his influence and his reassurance that you don’t have to be great at something to make it worthwhile. And certainly thousands upon thousands more get reprieves from the daily stresses of the world by laying back, watching his little trees and cabins take shape and wondering if this will be one of the extra-lucky weeks where he has a baby squirrel on his shoulder.

So if you’re bored, or stressed out this weekend, why not think of Bob? Pick up a canvas and a brush. Or maybe a sketchbook and some pencils. Or even just head out to the garage with an old guitar. Have some fun, be a little creative and be content in the moment.

The More Things Change…

Things have changed a lot in my lifetime, so imagine how much things have changed in the last hundred years. Turns out, for all the computers, internet, rap music, women’s lib and online porn of our time, the answer just might be “not as much as you’d expect.” Or at least that was my takeaway from my most recent read, Bohemians, Bootleggers, Flappers and Swells. It was a book I picked up at a dollar store recently, a compilation of articles from Vanity Fair magazine in the early-20th Century.

Vanity Fair at the time seemed to be one of several eclectic magazines which published serious articles, short stories, poetry and I believe photography, though that aspect was missing from the paperback. The book presents a selection of all of the above that were published between 1914 – 1936. As such it gives an interesting time capsule look back from the time of my grandparents. It features some big names, before they were big names – the first published works by Dorothy Parker, essays from Canadian humorist Stephen Leacock. Cocteau can be found in the pages within as well as DH Lawrence, pondering “Do Women Change?”. Of course the current events dictate a fair bit of the content – Leacock ponders somberly on the human cost of World War I (to them, just “the Great War”) ; several stories chronicle the stock market crash of 1929 and subsequent depression.

Now, I will say that humorous senses were a little different back then. Some of the articles clearly meant to be laugh-enducing satires like Pooh-creator AA Milne’s “Autobiography” left me bored and a bit weary rather than rolling on the floor guffawing. Likewise Dorothy Parker’s series of poems (“Actresses – A Hate Song”, “Our Office – A Hate Song”) and her short story about why she chose to remain single left me thinking she was a great * cranky self-centered person who might possibly rhyme with ‘witch’ * rather than a tremendous wit. But for all that, the one thing which stood out to me was how seemingly current some of the topics were a hundred years later.

In our age of the War on Drugs, British poet Arthur Symons ruminated on the effects of hash and opium on one’s senses. Several stories looked at how to get around prohibition when alcohol was taboo. Those who figure that “Women’s Lib” started with the Pill and burning bras in the ’60s might be surprised to read the Anne O’Hagan story from 1915 entitled “New York Women Who Earn $50 000 A Year”, a description of the many women she knew making that amount or more annually (in excess of half a million dollars in our money) stressing how women don’t have to rely upon men for their keep. And of course, there’s fashion. Sure, women in 1920 didn’t dress precisely like today’s gal-on-the-go, but the changing fashions and in particular the length of skirts was an issue as far back as 1923 – the writer liked the short skirts (which one might guess would be quite modest by today’s standards) – “what the feller in the streets wants is legs” he comments, but he noted how the industry seemed to change the in vogue style from year to year forcing ladies to buy more clothes. Sound familiar?

Likewise, the Wall Street crash led several of their writers to question the wisdom of the “system”, noting among other things bankers always make themselves rich even when their firms bankrupt the masses and how those playing the stock market who get rich point to their acumen and intelligence while those who went broke blame “bad luck.” Not unlike columns we would have read only a dozen years back. Another man tells the story of being an Afghan fitting into American society, something he accomplished but with a stumbling block or two along the way.

Of course a few things are different. There are articles about the wonder of the new form of entertainment known as “moving pictures” and a long essay on that new kids fad, Jazz music, “the only distinct and original idiom (Americans) have”. Even there though, one imagines a twenty-something kid from the city today might write a similar piece about Rap.

I didn’t find the book to be all that entertaining, yet I did read through it though with interest. It presented a good look at life a century back and left me thinking “the more things change, the more they stay the same.” In today’s climate, I can’t make up my mind as to whether that is comforting or terrifying.

Thankful Thursday XVII – Friends…Part I

This Thankful Thursday I’m thankful for something my sweetie was thankful for on Thursdays in years gone by – Friends. That is of the TV variety. It occurred to me as we watched the much ballyhooed “reunion” a few nights back how much it, and similar shows, meant to so many people.

Friends was, of course in case you’ve lived under a rock for a few decades, the NBC sitcom about six twenty-something friends, making their way in life. It made Jennifer Aniston into one of the most familiar faces in the world and her character, briefly, the most famous haircut. It made the other five then-unknowns into famous stars as well, David Schwimmer, Lisa Kudrow, Courteney Cox (who at the time was mostly recognized for being a teen dancing with Bruce Springsteen in a video a decade prior), Matthew Perry and Matt Leblanc. All six have gone on to have moderately successful acting careers since, but all six are equally still universally best known as their characters from the sitcom.

The show ran from 1994-2004, 236 episodes in all. It was a time period when I was about the age of the characters in the show, and didn’t watch all that much TV outside of baseball games and perhaps The Simpsons... I was too busy working or hanging out with my own friends to a large degree. Or listening to music; it was a passion and radio was cheaper than cable TV! But I would watch Friends from time to time and quite enjoy it, and of course, needed to see it at times because it was all my co-workers would be talking about around the “water cooler” on Friday morning. What about Rachel’s new hairdo? Is Chandler ever gonna dump that Janis? Were they on a break!?

My sweetie, whom I didn’t know back then, watched it routinely and tells of how she’d tell her own friends and family not to call her Thursday evening between 7 and 7:30 (the Central time zone slot it ran in, strange to me coming from the East where 8PM kicks off primetime) because she was busy with those six “friends.” It was her only “must see” TV.

For many others too. It typically drew well over 25 million viewers week-in, week out, for its whole ten year run. By comparison, NCIS is the only show on TV anymore that averages even 15 million; a show that can draw four million with regularity is a hit these days. The finale of Friends was tuned in by over 52 million TVs in the States and perhaps 80 million people and is the most-watched scripted TV show of the 2000s. Although it was always a “top 10” hit, the only year it was the most-watched was 2001-02 – right after 9/11. Odd in that it is set only miles away from Ground Zero in that horrible event. But really, not so odd. The creators had a tough decision about what to do and made the decision to double down on entertaining. People were well aware enough of what had happened, why not give them a half hour reprieve and some laughter each week? It was a brilliant decision.

As was ending when it did. It doubtless could have gone on a few more years and continued to be watched, but they realized it was better to go out on a high. After the ten years, the struggling but somewhat carefree young ones had matured. They had kids. They were getting married. The beauty of the show was the friendship between the group of pals who did everything together, something many of us Gen X-ers could relate to, and in all likelihood most older watchers looked back on fondly. Having Monica and Chandler taking kids to school and living in a bungalow 30 miles from the others wouldn’t have worked. Anything Ross and Rachel did would be anti-climatic after ten years of seeing the tension between them and not knowing if they would eventually pair up. It went out on a high note, something many shows, and entertainers for that matter fail to know how to do.

Since it ended, I paired up and have spent many late nights chilling with my love, watching reruns of the show with her, laughing and recalling what it was like to be 25 and single. But I’m thankful for it for other reasons beyond that.

As the reunion pointed out, Friends was a global phenomenon. Some say it helped them learn English watching it. Others say Phoebe’s oddball behavior and artsy endeavors made them feel OK about being a bit different themselves. It celebrated friends, the people you could rely on even as “relationships” came and went or families caused more stress than they took away. It created characters we cared about (in direct contrast to the other runaway hit of the decade, Seinfeld) and could probably see a bit our ourselves in. They were a bit nerdy and awkward, unsure of just what they wanted from life. (They drank lots of coffee. Hey, Chandler even had a Blue Jays baseball cap on his desk at work in New York… could he BE more Canadian?)

Mostly though I’m thankful for how it was such a “universal.” It was perhaps the last TV show that everyone seemed to watch. Everyone knew who Rachel and Ross were. It gave us a common language, no matter how small. When I was growing up, there were three main networks and shows like MASH and Carol Burnett were seemingly watched by everyone. The population was smaller, but viewerships were bigger – it wasn’t uncommon to have shows watched by 30 million people a week in the ’70s. It gave us something in common, something to talk about. Now we have hundreds of channels, shows custom-tailored to every taste… but little common currency in our entertainment. I can’t help but think that maybe, just maybe we’d not be such a divided nation, so quick to judge others and rush to quick, negative assumptions of “them” if we had a few more shows like Friends that “they” watched just like us. And perhaps a few more “friends”…

How about you, dear readers? Any TV shows or movies you’re particularly thankful for?

Thankful Thursday XVI – Vacations

Yesterday was a busy day for me, so I took a break from Thankful Thursdays. Not quite a holiday but a wee break from one thing that’s part of my routine, even though it’s one I quite enjoy. It got me to thinking that this “thankful Thursday – redux” I’m thankful for vacations. Both little ones and grand ones, ones I’ve enjoyed, ones others have taken and just the concept itself… one that resonates, I’m sure coming onto the unofficial first long weekend of the summer.

My dad loved to travel; my mother not quite as much but she still enjoyed getting away from it all – not to mention staying in a hotel and having the cooking done for her – from time to time. My family wasn’t poor but neither were we rich, so our holidays when I was a kid were somewhat modest. When I was young, we had a camper trailer – a modest one mind you, nothing like the behemoths we see being towed along our highways today with their own satellite dish and front and back doors – so we’d often get away for a week or so and go camping. Exploring the eastern half of our Canada, and adjacent areas of the States; cooking some dinners over a camp fire, going to town for the local restaurant other days, sleeping in a trailer with screen windows, hearing the hooting owls and cacophony of bugs in the woods around us. By day we’d explore the forest trails, take some pictures, or maybe visit the nearby towns and explore the local shops and attractions.

A few years later, when I got to be of double-digit age, we found a fondness for Florida. For several years we took a summer holiday in southern Florida. That seemed crazy to some, but we liked it just fine. The prices were cheaper, the beaches less crowded and we had all the time in the world. Well, a few weeks anyway, given that it was school break and my mom was by then working as a teacher. Sometimes we’d head down there by bus and my Dad would drive down a week or two later when his holiday kicked in, all driving back home together. We made friends there, found that the 90 degree days there in July were quite tolerable with the sea breezes absent in the 90 degree days back home and enjoyed dips in the Gulf water.

They were good times, generally relaxing times. It was driving back from Florida I got to marvel at the vibrancy of American cities like Atlanta and the beauty of the Appalachians. I don’t remember a lot from when I was about four years old, but I remember standing under “The Big Nickel”, as the name suggests a statue of a very big five cent coin – in Sudbury on one of our camping trips. I recall vividly the excitement I had a few years later when I, as a young baseball fan, looked out the window and saw the magnificent home of Pete Rose, Johnny Bench and Ken Griffey and all those great Big Red Machine teams – Cincinnati’s Riverfront Stadium – go by as we crossed the Ohio River. I remember stepping into a patch of long coarse grass one time in Florida near our hotel and hearing a loud, distinctive buzzing set in right away , and quietly backing away, not in fear but rather awe knowing that I must have awoken a sleeping rattlesnake. Still wish I’d been able to see the critter, from a safe distance.

When I grew up and became an adult, budgets usually didn’t allow for a lot of exotic holidays, but I have equally fond memories of camping in some of the provincial parks along Lake Erie during the bird migration; of the sights of New York when I went for a long drive, and experiencing that vibrant Atlanta as an adult. My dad meanwhile, with his equally fond-of-travel new wife, took many trips back to his homeland in Switzerland and hers in Britain before they sadly became too old and unsure of their health to do so any more. They’d regale me with the stories of their trips, photos of the landscapes and tales of the best food they got in the foreign restaurants. That was mostly my dad’s thing.

The travel industry took a beating in the last year with Covid. There are pros and cons to that; obviously it’s bad because it effects so many people’s livelihood but the reduced air pollution from the fewer jets and cars on the road has done a wee bit of good to the environment and enabled people to find interesting things to do at home that might have eluded them previously. Still, it would seem that the more people get to travel, the more we might hope to understand each other. It’s easier to have empathy for others when we’ve actually met them and seen their lives a little rather than just the Hollywood sterotype depictions of them.

So, vacations. They can be big or small, far or near, but here’s to them. Hope you can treat yourself to one, no matter how humble, sometime soon.

Movie Extra 11 – Dead Poet’s Society

As I get to the penultimate category for this fun and informative event (Hanspostcard’s Movie Draft), I tackle a biggie – Drama. There are no shortages of great candidates for this, so I rather randomly picked 1989’s biggest drama – Dead Poet’s Society. It may not be my all-time favorite in the genre, but then again, there are so many good ones it would be difficult to really narrow it down to one. This is a film I’ve consistently liked in the 30-plus years since it came out and which holds its own still.

The irony of Dead Poet’s Society is that it took one of America’s favorite zany comics to elevate it to greatness, in a role decidedly short on over-the-top comic bits (although there are one or two points where Robin Williams adds his own brand of manic fun to an otherwise serious role.) The movie also returns Ethan Hawke to my list; he was the co-star of the “Before” trilogy I picked. In this one, his first significant film role, he has a supporting part.

The overview of the film is that its set in a private boys boarding school in Vermont during the 1950s. It’s the type of school that is designed to prepare young teenage boys and turn them into mature Ivy League business and med students, undoubtedly due to arrive in the pages of “Who’s Who” approximately a decade after their arrival there. Conformity and adherance to the rules is not only expected, it’s a given. Headmaster Nolan (Norman Lloyd) makes sure that is achieved, ruling with an iron fist and wooden paddle.

Enter John Keating, played by Williams. He’s the new English teacher, an alumni of the school, full of pep and excitement and seemingly set on alienating everyone in the school’s organization. He sets out to teach his class (including Todd, played by Ethan Hawke) poetry. Initially not the favorite subject for most of the lads. Keating however teaches it with verve and stresses the passion, the freedom of well-used words. “No matter what anybody tells you, words and ideas can change the world,” he tells them. He also points out that the real purpose of poetry is “Wooing women.” This catches their attention.

His enthusiasm is unusual at that institution, and his methods even more unorthodox. He has the students stand up on their desks.. to see the world differently. He coaxes the boys – terrified of breaking rules – to rip out pages from their text book that teaches a scientific formula for measuring the “greatness” of a poem. He teaches that the greatness of a poem is in how it makes you feel, how alive it makes you, not some mathematical formula. They quickly take to the teacher and start to break out of their shells; writing poetry of their own, persuing seemingly unobtainable young women of the town, and in the case of Neil, a shy boy with few friends, to take up acting. He finds not only does he love to act, he has a talent for it. This however, doesn’t please his 1950’s meatloaf-and-potato father who has him lined up for med school already. It all boils over when the lad takes on the role of Puck in a Shakespearean play, infuriating the father who pulls him out of school and enrols him in a military academy. Neil never makes it there.

In the aftermath, the school blame Keating for corrupting the kids and show him the door…but not before one of the most moving moments in contemporary film (spoiler alert for those who haven’t seen it), with Todd, then the others in the class all jumping up on their desks to salute the departing teacher, to the utter enragement of the headmaster. One by one they offer him their allegiance and respect.

It’s a touching moment and a great movie which highlights the shortfalls of the educational system , particularly in the past, and showcases the wonders that can happen if kids’ interests and talents are nurtured. It reminds us how much difference even one fine teacher can make in so many lives. It runs over two hours, but seems to end too soon. If you’re prone to teariness, it might be the type of film you want a box of Kleenex nearby for.

I loved it, which perhaps surprised no one more than myself, as I half to admit, I’m not a big fan of the manic, out-of-control, he’s so wacky, comedian Williams. But the man had the acting chops to pull off deep and even at times dark roles, as we see in Good Will Hunting as well. That man, as well as the decent, caring family man and baseball fan – those are the Robin Williams I miss.

The movie took in over $200M at the box office, making it one of that year’s top five films, and it was accorded generally good reviews, although Siskel and Ebert notably disliked it and called it “pious platitudes” with poor acting. To each his own. Dead Poet’s Society won an Academy Award for best original screenplay for writer Tom Shulman, while Williams was nominated for the Best Actor one.

“Poetry, beauty, romance, love – those are what we stay alive for ,” in the words of John Keating. And maybe for well made movies as well. I give Dead Poet’s Society four Neruda sonnets out of five.

Thankful Thursday XV – This Community

This Thankful Thursday, I’m thankful for you! And WordPress, creator of this terrific forum we have here to share thoughts and writings. It’s led me to a host of new wonderful people, showed me interesting columns almost daily and has let my ponderings find an audience too, with strangers and ones who’ve gone from strangers to friends.

It’s a cliche to state that the internet has changed everything in our lives, but it’s true as well. There are downsides, goodness knows – ask anyone in the brick-and-mortar retail world or the recorded music biz for starters – but it certainly has expanded our possibilities in ways we wouldn’t have dreamed possible three decades back. I would have never guessed I’d be able to find several hundred people in places as far flung as California, New Zealand, northern Ontario, England, all of whom would share my interests in pop music, or baseball, or book reviews or any number of other topics, but that’s exactly what has happened . It means a lot so many of you out there take time to read my musings and often comment as well. Likewise, I’ve not only made friends but learned a great deal about those topics from the writings of many of you readers. It’s something we take for granted now, but if we cast our memories back a bit, any of us might have been a voice in the wilderness or the annoying one at the office who won’t shut up about their current earworm or their thoughts on what their baseball team should be doing to win more; the type the others quickly duck around the corner when they see us coming. Thanks WordPress for keeping me from that!

So a simple one today, but a meaningful one. A community of like-minded people, writers and readers, brought together by this space. Speaking of which – what are you thankful for this Thursday? Comment below, or if you have a more extensive thought, let me know and I’ll get you an e-mail address if you’d care to have your thoughts shared here in the coming weeks.

The Beatles From An In-house Observer

I love music and love reading, so no surprise that I love well-written books about the music that I like. I just finished one such volume – The Beatles From A To Zed , by Peter Asher (and yes, he makes a point of it being “zed” since they’re British!). It seems it was written as a companion or erstwhile script to a satellite radio show he has, thus it reads rather conversationally but it’s fully enjoyable as a standalone book.

Asher, as many fans of the Fab Four know, was a musician that knew the Beatles when they were just starting out. His sister dated Paul McCartney for several years and in fact, Paul even boarded at Asher’s house for awhile while young. McCartney wrote “A World Without Love” which John Lennon didn’t like so he offered it to Asher, who recorded it as part of the duo Peter and Gordon. He kept in touch with Paul and the others, joined Apple Records as a talent scout and producer and eventually moved to the States to spearhead James Taylor and then Linda Ronstadt’s careers. So he has a lot of interesting stories to tell about the Beatles and the music world of the ’60s and ’70s in general, and relates some of them in the book, including quite an in-depth look at how “A World Without Love” came together and how in awe of Paul’s writing abilities he was as he seemingly came up with a bridge and fixed the chorus spontaneously when he knew his friend wanted to record it.

Anyway, the book is set out, as you might guess, in 26 chapters, one for each letter. For each he looks at songs which start with the letter in question, or other things related to the Beatles (for example, a section on “oboes” for the letter “O”); in most cases picking a Beatles one as well as one from each of the four post-Fab Four. Of course, some letters are more challenging than others… for “U” for example, he substitutes the word “You”, and for “X” he looks at “ex-Beatles” like Pete Best. Along the way he talks about everything from hearing “Hey Jude” for the first time to impressing friends by playing “Help” to them before it was officially released to watching TV evangelists on late-night stations in the U.S., and how that actually inspired a #1 hit. He points out he’s not an expert in either the Beatles nor music, so most of his choices are personal recollections or opinions – which songs he likes the best and why – although, as a musician, he does give some pretty detailed explanations on some things musicians will love. How the pairs of strings are tuned differently on a Rickenabacher 12-string guitar; the rapid-fire time signature changes in “Here Comes the Sun” for instance. But more of the content is his memories of hanging out with Paul (and the others to some extent) and his own reactions to hearing some of the great music for the first time.

It’s a light read but a thoroughly enjoyable one. It left me with an added appreciation for all four of the Liverpool lads and a yearning to go listen to some of their records all over again.

I give it 3.5 Yellow Submarines out of five.

Movie Extra 10 – The Answer Man

As this cool exercise (the movie draft run by Hanspostcard) winds down, I find I have three categories left to deal with – Westerns and War, the all-encompassing Drama and the combo of Romance and Holidays. This time around I’m going with the latter…but with a twist. Bear with me.

Last time out, I wrote about a romcom, You’ve Got Mail. I love the movie. Many of you do too, but the comments made it clear that it was a standout in that genre, since a lot of romance and romcoms are well…not great. So while there are a number of romance ones I do like still that I could pick – Sleepless in Seattle, Bridget Jones’ Diary, etc – and there are many excellent holiday movies (Christmas wouldn’t be Christmas to me without seeing A Christmas Carol, and A Wonderful Life, which I think someone already covered) I’m going to risk “wasting” a slot by writing about a movie which, well, frankly wasn’t that good. I’m not especially recommending it. But it did make me stop and think, which I hope you’ll agree is worth shaking up the exercise just a little. So far cumulatively, we’ve read about 100 columns from some terrific writers and reviewers and undoubtedly found a few great gems we’d not heard of or seen before. Now let’s hear about one you might be OK missing…

The Answer Man. Never heard of it? Don’t feel bad. Nor had I. Nor many people. People who’d read a memoir from one of its stars might not have either – she didn’t mention one word about it in her book!

It popped up on one of our streaming services here recently, and it was a rainy afternoon so my love decided to press play. Looked like it might be at least half-decent. If not precisely a cast that was star-studded with A-list superstars, at least some decent talent, like Jeff Daniels, Lauren Graham (whose memoir was out in the living room… she passed right over this one without a mention of it!) Tony Hale and Nora Dunn among others. The 2009 film was billed as a romance-comedy, though as it turns out both the romance and comedy were in short supply in it.

Now I’ll get to why I chose this one, besides it being fresh in my mind right now, but first a short summary, full of spoilers for those who actually might watch it.

Daniels plays Arlen Faber, a world-renowned author of a series of spiritual guidebooks, started with one called “Me and God.” Alas, Arlen is a cranky, rude recluse, a seeming utterly irreligious sort in reality. He has a bad back, and after throwing it out, he crawls – literally – across the city to a chiropractor, Elizabeth, played by Graham. She’s an over-protective single mother with a 7 year old son who’s likable enough but not very memorable, and new to the city after some poorly outlined bad marriage. She fixes the writer/philosopher’s back and he falls instantly head-over-heels in love with her. Arlen however is not very suave. And he’s inexplicably odd. He gets furious if a piano player plays the wrong song. He has signs on the doors in his house labeling what each room is (one of the few quirks that does get explained). He collects toys but keeps them locked up. And he has a slew of books he’s curiously obsessed with getting rid of.

Why he is so anxious to rid himself of the books is a mystery, so too why in ’09 he wouldn’t turn to e-bay or Amazon to do so. But instead he fixates on having an indie book shop near him take them. Enter the bookshop’s owner, Kris, a sadsack young alcoholic who brings in an entirely different storyline. His shop is failing, so he won’t buy Arlen’s used books. This sets off some sort of weird reaction whereby the writer becomes obsessed with shedding his books at the store, even dressing up in disguise and trying to leave them on the shelves. After some equally improbable twists, Kris figures out who Arlen is and looks to him for advice on all the mysteries of life. Kris has issues with his father, and an assistant at the store who’s only role appears to be to let Kat Dennings have a role and look cute. Arlen begins dating Elizabeth but his erratic behaviour is a lot for her to take, however, he bonds well with her son. She’s conflicted.

He eventually breaks from his incognito existence by doing a book signing at Kris’ store, and then throws cold water over the crowd by telling them his books are a crock of you-know-what. A metaphoric bucket of cold water, although he throws a real one over some other fans at another point. His love is displeased, so he sets off to win her again, a new man.

Wow, right? That’s a lot to take in in less than two hours (which might seem far longer than two while watching.) It was written and directed by John Hindman, his first feature film. Surprisingly he has one more equally obscure one to his credit. If you’d never heard of The Answer Man, perhaps it’s because it seemed to last just one week at the box office and took in less than $50 000! The exact take of the money-loser is up for debate, IMDB has it at about $27K while Wikipedia quote $48k. We doubt the producers who bankrolled it care much either way! It is typical of the indifference to it though; one source says it was filmed in North Carolina while the other agrees with the movie credits and lists Philadelphia. It was just so insignificant as for the reviewers to simply not care apparently. Although review it they did. Roger Ebert for example thought the so-called funny bits looked like “outtakes from a manic Jim Carrey movie” and pondered why such a famous author with so many fans wrote a life-changing book yet “no one in the film – no one – repeats a single thing they’ve learned from it!” USA Today say The Answer Man poses questions like “why do the characters behave in ways that bear little resemblance to reality? Why is this dreary comedy so devoid of humor?”

So why I am writing about it? Well I’d actually like some answers from The Answer Man‘s creator. I truly wonder what he was thinking when he began the work. What he thought of the result. If I had a guess at it, Hindman actually was trying to do too much. He had too many ideas, too many storylines and too little time (arguably too little talent as well) to see them through to completion. That’s a bit of a shame, because if cropped, two or three themes might have been worthy and yielded an interesting or entertaining movie. What if a famous theologian is either a nasty person or perhaps a bit of an atheist? How tough is it for a free-spirited woman to become a worried single mom? What if a grumpy old man is made human by a little child’s presence? What if a celebrity has some personality traits – autism perhaps – that make it difficult for them to function in normal society? Can an “answer man” who doesn’t believe in himself actually give the needed answers to a lost young man? Any one or two of those plotlines might have been an interesting story. Put all of them and half a dozen more into one film and fail to answer most of those questions and you have a mess.

The Answer Man. I give it one and a half hardcover tomes out of five. A failure but an ambitious one. Think of it next time you’re watching a good movie you like and realize how lucky you are, and how rare it is for a writer with an interesting idea to be able to turn that into a film which truly entertains. It might give you a whole new respect for the hundred films that have come before in this event!

Thankful Thursday XIV – The Wizard Of Oz…?

This Thankful Thursday, I’m thankful for The Wizard of Oz. Well, not exactly the movie with Judy Garland nor the Frank Baum book, although both have their merits. And they also inspired some great music that I love, like Elton John’s Goodbye Yellow Brick Road and the Scissor Sisters’ “Return to Oz”. Rather I’m thankful for it, and many others like it because it’s an example of a well-told story. And where would we be without those, be they in film, in print, or handed down orally generation to generation?

What’s more, it’s a prime example of one of the Seven Basic Plots…and where would aspiring writers like myself be without those role models to guide us?

As an aside, my early memories of the Wizard of Oz weren’t all that great. I was very little – maybe three years old – and in hospital, and they somehow got the local theatre company to perform the play (likely in quite scaled down form) in some sort of auditorium at the hospital. Those who were well enough to be transported out of their room to see it were. I vaguely remember it being a bit disturbing. I clearly remember being very disturbed and frightened when they sent the actors around the hospital. The witch came to my room…not a comfort for an ill three year old!

Some years later I overcame my Witch trauma and watched the movie, and quite liked it although agreeing with my mother that Judy Garland was probably too big and old to be a believable Dorothy. Regardless of that, it was an interesting film and doubtless ahead of its time in production values.

I likely didn’t give it any more thought until I hit my twenties. I picked up the then-trendy novel Bright Lights, Big City and loved its style, I was fast in line to see the movie adapatation. I read through reviews of it and was surprised that several made reference to it being a retelling of the Wizard, give or take. Seemed a bit of a stretch, but when one boiled it down, both were stories of someone being transported from somewhere simple (in fact, Kansas in both) to somewhere shinier and glossier (Oz for Dorothy, the Big Apple and its nightclubs for Bright Lights…), looking for excitement and new meaning, only to be put in harm’s way, ultimately disappointed and going home, more appreciative and wiser. Okay…maybe they had something there.

Years later, I would come across a fiction writing principal known as The Seven Basic Plots. The appropriately-named Christopher Booker had the idea that there were really only seven plots in all of the world’s great stories. There’s Overcoming the Monster (from Dracula to Star Wars), Tragedy , where the “protagonist is a hero with a character flaw or great mistake” (MacBeth, Bonnie and Clyde) , Comedy, which he suggests also needs conflict resolved in the end (Midsummer’s Night Dream, Four Weddings and a Funeral), Quests, something bigger than the person (think of the similarities in the wildly disparate Raiders of the Lost Ark and Monty Python and the Holy Grail) , Rags to Riches, which if successful should also include growth of the character (Cinderella, Great Expectations), Rebirths, where the flawed character grows and becomes anew (Scrooge in A Christmas Carol, Elizabeth & Darcy in Pride and Prejudice) and Voyages. Oz. Bright Lights, Big City. Alice In Wonderland. A fantastic journey leading the subject back home, a better person.

Now, it’s entirely possible that if you really think about it at length, you might be able to come up with a popular story, either book or film, that doesn’t fit any of those categories. Hats off to their creator if so… especially if it ended up being a story that resonated. But it’s remarkable how many great stories do fall into one of the seven categories. That’s handy for me, as a writer, to remember. And it’s handy for us all to remember by extrapolation – no matter how different our own stories seem from other people’s, chances are they’re not all that terribly different. There aren’t too many different life stories… the way that we choose to react to them, the tiny details are what make them memorable and separate the good from the bad… the Scrooges from the Darth Vaders.

The witch in the room or the likable Toto. Ultimately, we all decide how our story will be told.

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