Another silver lining of the pandemic, if there is such a possibility, is that it’s giving us extra time to watch old favorite TV shows, or perhaps find new favorites. Every evening not spent shopping could mean three or four episodes of a New Classic! Now while I don’t want to suggest everyone become couch potatoes and do want to remind you it IS OK to get outside and move around a bit, as long as we’re not in crowds, sometimes a bit of time with good “friends” on screen can be a boost.
For me, this spring I’ve discovered two new series that have appealed to me. Both reflect my love of romcom films like When Harry Met Sally and You’ve Got Mail.
The first is the familiarly-titled Four Weddings and a Funeral. The title itself was taken from a popular British 1994 movie starring Hugh Grant and Andie MacDowell and follows them and their on-again, off-again trans-Atlantic love affair as they attend mutual friends’ weddings and funerals. The TV version was a 2019 remake of sorts from Mindy Kaling. The 10-episode miniseries delivered on Hulu borrows the name and the overall gist of the movie, but isn’t simply the same story with new characters, lest you wonder. This confused me a little at first, but once I accepted this was a new story and took it for what it was, it worked.
Like the movie, the show follows a romance between an American woman, Maya, and a British guy, Kash and how they interact through mutual friends in London. The film borrows readily and blatantly from famous scenes in romcom movies like Love, Actually and Notting Hill and while a little long-winded, a little heavy-handed in its handling of gay characters and overly PC at times, it still has its charms. By the end you’re cheering for the leads and their romance.
The other new show I’ve fallen for is a current network offering… and that’s not something that happens every year for me anymore. NBC’s Zoey’s Extraordinary Playlist is a romdram, if you will. Part romance, part drama and an exuberant return to Hollywood musicals of the past. Rather a new, grown-up version of Glee, in the early years of that show before it jumped the shark and took Jane Lynch with it, casting her essentially as Lucifer and forcing the writers to turn themselves inside out finding convoluted reasons to have the group of university types keep coming back from across the country to hang out at their old high school.
Zoey is a nerdy millennial gal who works in a trendy software company and has to deal with office rivalries, family stresses and isn’t sure which way to turn when confronted with two decent but flawed suitors. Oh, and through a freaky MRI incident, she’s blessed with the ability to at times hear what others around her are thinking… in song. So the story line gets driven by big musical numbers of songs ranging from “It’s the End of the World As We Know It” by REM to Billy Joel’s “Lullabye” to The Beatles “Help,” Tears for Fears “Mad World,” and a rather somber take on “American Pie.”
It’s an entirely odd concept but it works better than it should, thanks in large part to solid writing and the charisma of Jane Levy as Zoey. Season one wrapped us this past weekend and probably singly increased the demand for Kleenex by about 50%.
If you like romance stories or comedies with a bit of a dark underbelly, both shows might work for you. If it’s not your thing, that’s fine too… don’t be afraid to take a bit of the time this pandemic is keeping you from being out in groups from looking for new faves of your own… but don’t forget to take time to keep on top of the real romances in your own life be they at home or far away!